Showing posts with label The Pains of Being Pure at Heart. Show all posts
Showing posts with label The Pains of Being Pure at Heart. Show all posts

Thursday, 31 December 2009

My Top Five of 2009

2010 is upon us and like everyone else in the universe, I’m busily preparing my ‘Best Of 2009’ list. It is almost an obligation. Indeed, ‘Best Of’ records lists are usually the method by which one attempts to prove how universally cool they have been during a calendar year. This particular document is no exception, no matter what actual reality might dictate.

I’m going to say that I’ll keep it short and sweet, but will most likely fail. Here are my top #5 records of what proved to be a pretty awesome year in music. Let’s hope 2010 brings similar results.



#5 Passion Pit – Manners

“Let this be our little secret, no one needs to know we’re feeling.”



With a name that sounds more like a carbonated beverage or an X rated straight-to-video number, Passion Pit released one of the most fun records in a year full of fun records. Indeed, how can you listen to the opening synths on ‘Little Secrets’ and not dance like some kind of funky robot? This is a record that translates my ordinary boring existence into one not unlike the opening stages of Super Mario Brothers. Great songs lurk everywhere. “The Reeling”, “Sleepyhead”, and “Eyes like Candles” are all super-duper examples of great songs that do not take themselves too seriously and in many ways I believe that is the essence of what makes a great band great. I do recall someone on twithead saying that they were destined to become 2009s’s MGMT. I don’t believe this hasn’t happened, thank god.



#4 Andrew Bird – Noble Beast

“If you come to find me affable, build a replica for me.”



I was fairly stressed for the majority of 2009. Doing a coursework masters and trying to work full time is difficult. Lucky I had access to records like Andrew Bird’s “Noble Beast” to make writing the multitude of essays I wrote on international politics a bit less stressful. I guess it is the manner in which Bird manages to translate breezy moods and fascinating textures on to the recorded media that makes the world seem less tense. I’m enamoured with the tunes that take you firstly in one direction, and then abruptly change. ‘Not a Robot, But A Ghost’ is one great example of Bird’s tune-smithing, where, after the emergence of darker tones released by pianos, Birds capable voice changes the mood from one of brooding to exultation. The lyrical gymnastics of Bird further reinforces just how finely crafted each song is. Some might say they are too abstract, however it is gratifying to see such effort pored into constructing a single tune. ‘Effigy’ and ‘Tenuousness’ are two examples which demonstrate such ability. This is a great record worthy of your attention.



#3 Grizzly Bear – Veckatimest

“Save up all the days, a routine malaise.”



It was close, but I think Grizzly Bear’s great record “Veckatimest” just pips “Noble Beast”. My friend Yasmin had been raving on to me about Grizzly Bear for what seemed like eons. Finally, with “Veckatimest” I found a way in. Why is it worthy the universal praise it has engendered? I believe the reason is found in overlapping moods and sheer scope of musicianship that Droste and co have achieved with this release. Not only are the instrumental and structural ingredients solid throughout, the lyrics, both in content and delivery, are not only complex but soothing and reassuring. Pure beauty lurks everywhere here. For instance, the snappy guitar lines of ‘Cheerleader’ contrast perfectly with the more reflective qualities of songs like ‘Foreground’ with the understated beauty of the piano rounding out what is an excellent release. With “Veckatimest”, Grizzly Bear stamped themselves as probably the most important band of 2009.



#2 Phoenix – Wolfgang Amadeus Phoenix

“But your so-called life, it is such as waste.”



It seems I just discovered a way to transcend the space-time continuum. You see, I’m back in the early eighties. I’m starring in the Breakfast Club. John Hughes is alive and well. Phoenix delivered in spades this year, attracting a French foreign legion of new fans due to a multitude of danceable, kitschy and catching songs on Wolfgang Amadeus Phoenix. While ‘1901’ and ‘Listzomania’ are the most obvious examples, the more disco-orientated approach of this record produced a horde of great tunes. My philosophy has nearly always been that the best songs are the ones that people can dance, or at least sway, to, an inclination that most probably contributes to my hatred of balladry in all its guises. This is the reason why I really think “Wolfgang Amadeus Phoenix” stands out amongst many of the other records of 2009. It is not boring when you look at it from any angle. Every single tune offers something to the listener. “Wolfgang Amadeus Phoenix” made me feel good in 2009, and that’s why it is at number 2.



#1 The Pains of Being Pure at Heart – Self Titled

“Between the stacks in the library, not like anyone stopped to see. We came, they went, our bodies spent, amongst the dust and the microfiche.”



It is somewhat funny that such an awesome record like The Pains of Being Pure at Heart self titled debut has gone somewhat unnoticed during 2009 in Australia. While I haven’t been listening to triple-arse that much during the year (nor any radio really), I believe there has been little mention of this stellar group. A shame really, because in my book, they released the best record of 2009. My comments from earlier in the year when I first took a look at the record are still relevant today. Using nothing more than mere instruments, POHBAH accurately evocate a sense of youthful exuberance, something humanist and joyful that would have been outlawed in the Soviet Union. Those drab commies would not have appreciated such jangly fuzzed-up guitar sounds. All the songs are more or less quality, with particular praise reserved for ‘Young Adult Friction’, ‘Everything With You’ and ‘This Love is Fucking Right!’. Have a listen to this performance of Young Adult Friction, this is what you have to look forward to if you happen to be catching the band at any one of their Australian tour dates this coming February.





Quod erat demonstrandum.




Close but no cigar
The XX - The XX, The Flaming Lips - Embryonic, Knight School - The Poor and Needy Need to Party, Mastodon – Crack the Skye, Mos Def – The Ecstatic, Dark Was the Night Vol XX, Hunz - Thoughts That Move, Ramona Falls - Intuit, Yo La Tengo - Popular Songs

It has been a great year in music. If you come back tomorrow and I’ll share some more thoughts on 2009 a bit more specific to Australian music. I'm also going to talk about a few other little things. In the meantime, here are some other ‘best of’ lists of interest.

Pitchfork Media
I Guess I’m Floating
Mess+Noise [Part 1], [Part 2]
Who the Bloody Hell Are They?

To all that have read the blog over the past 12 months thanks for your support (I know you’re there, for god’s sake speak up!). I’m going to be doing some changes to these pages in the next six months of the year which I hope you will appreciate. Enjoy 2010.

Thursday, 1 October 2009

So What Will Be The Best Records of 2009??


Well, we enter the final quarter of the year, and come the end of December many people will be back into listmaking mode, and I'm no exception.

To be honest, I haven't listened to a heap of '2009' records this year. As usual I'm still stuck several years back. There are a few that I really like, but I thought I'd ask YOU what ones I'm missing out on. So please comment and suggest any records that have been released thus far that you think have been outstanding. It would be great to see some Australian or Brisbane suggestions.

I have set up a poll on the sidebar to the left and will attempt to add some of your suggestions, should you have any.

For me, I'm undecided yet, but I'm inclined towards the debut record by The Pains of Being Pure at Heart.

Friday, 28 August 2009

Lately on the stereo

A lazy blog post about some tracks I’ve really been hammering to death on my music player. I thought I’d share some and post a few youtube live performances for you appreciation.

Tenuousness by Andrew Bird from “Noble Beast”.

I think I’ve finally ‘got’ Andrew Bird on this latest album. Not that he wasn’t good before, I just didn’t think much of his previous records – I didn’t know the way in. This song in particular has opened that door.



Little Secrets by Passion Pit from "Manners".

Call them what you will, but this album is a cracker. This song has a great chorus and is a godo alternative to the other more radio friendly songs off this record.



Percussion Gun by White Rabbits from "It's Frightening".

A recommendation from a friend of mine. This album is not bad, but I really like the record opener.



Another One Goes By by the Walkmen from"A Hundred Miles Off".

The Walkmen have defined 2009 for me. This Mazarin cover from "A Hundred Miles Off" recalls the dreamy dancehall sounds of the 50s and 60s.



Young Adult Friction by the Pains of Being Pure at Heart from "The Pains of Being Pure at Heart".

How anyone in 2009 is going to top this record, I’m not sure how. I really love this song and I really hope the Pains make the trip across to Australia sometime soon.



You can tell that I’m in the middle of essay writing hell. I have a lot of assessment and no motivation to write. Frequently, I try kick myself out of these ruts by returning to blogging, hence the series of posts I’ve managed to smash out over the last few days.

Saturday, 30 May 2009

The Pains of Just Being So Great


...And I'm not referring to myself. I'm actually referring to the Pains of Being Pure at Heart. At this present time, these New Yorkers are simply the coolest people in the universe. They released their debut LP back in February (which was several months ago, but only seems like yesterday). And while you probably already knew this, or at least can infer from my already over-gushing prose, its a bit of a winner (and for once, pitcharse agrees with me).

The record seems like a glorious throwback to the 1980s, coming out like a more cheerful Morrissey. Like many bands seem to be doing nowadays (think M83, Phoenix etc), the sound resembles that typical of songs that would find themselves on 80s teenage film soundtracks - the difference is telling though, The Pains do it much better.

Ahh nostalgia! Tis, great, ain't it?

Jangly fuzz-induced guitars are the nature of the game on this one, with some great tracks like "This Love Is Fucking Right!", "Everything with You", "A Teenager in Love" and the awesome "Stay Alive".

My ears had caught hold of the Pains late last year after I heard their stellar single 'Everything With You', but I've only just got round to getting my grubby paws on the actual record.

Trust me, it's great.

P.s. Is it just me or does the album cover resemble Belle and Sebastian's "The Life Pursuit"?

Sunday, 28 December 2008

My 2008: Artists and Records of Note.


‘Best of’ lists are a collective certainty in the music blogging world, and I am personally not adverse to them myself. In fact, I think it’s a great method of discovery new artists, and celebrating the lesser known genius that occasionally elude the mainstream press. Everyone enjoys spinning yarns about the aural pleasures that have popped up throughout a calendar and I’m not going to buck the trend by not doing one.

As I’ve said elsewhere before, it can take me some time to ‘discover’ acts from bygone years and I’m not going to attempt to try write an article solely devoted to my favourite new bands or records that have been released throughout 2008. Some of these relationships can be fleeting anyway. I’ll give you a concise overview of records and artists who have dominated my speakers throughout the year.

For most of the year, I’ve been on the move, traveling to several new continents. Consequently, the diverse musical tastes of fellow travellers, work pals and other new friends have facilitated my exposure to many new artists. Generally, I can sum up the year with a few bands that, while most of them I’ve heard of, I grew to appreciate. Sort of like a fine wine I guess (alternatively insert some other innocuous metaphor here).

Wilco was one band that asserted itself in my consciousness with their classic “Yankee Hotel Foxtrot” album accompanying me throughout South America (I do recall with fondness traversing the Bolivian salt flats with ‘Jesus Etc’ belting from the four-wheel drive speakers). I now curse myself for once giving up the opportunity to see the band live a few years back when I was slightly ignorant of their talent.

Ryan Adams is another artist that I grew to appreciate, particularly his most recent release “Easy Tiger”. I had cycnically assumed Adams as a petulant rock star of little talent and all hype, but now I’m a bit more forgiving. Yes, he is petulant and given to some childish behaviour but he does write some rather good little ditties such as ‘Oh My God Whatever Etc’ which is a personal favourite.

Fleet Foxes (pictured above) released their sublime self-titled debut which quickly became a personal favourite. I’m sure if you’ve listened to the radio or read the music press at any stage this year then you would have heard about some of this bands work. Trust me; they deserve all the praise they have rightfully garnered.


As you may have read, I delved into some older 80s punk/alternative music, with The Replacements and their records “Let It Be” and “Pleased to Meet Me”, along with some Husker Du. R.E.M’s “Murmur” has also undergone more than a few listens.

In terms of new releases and new records, the folk pop crooning of Chad Vaangalen and Bon Iver have been a pleasure to find their way on to my stereo. On the flip side, the doom metal of Japanese rockers Boris kept the metal monster inside of me alive and kicking. On that point, I’d never thought I’d ever say this again, but my teenage romance with Metallica was wistfully re-imagined after the released of the surprisingly good “Death Magnetic” (despite what pitch-arse might say!).

Recently, The Pains of Being Pure of Heart have shaped up as a great new prospect and I eagerly await the release of their debut record scheduled for 2009. Guided by Voices, Of Montreal, the Magnetic Fields and a dozen other regulars still provided me with a lot of joy, head banging, shower-crooning and even air-drumming.

Well, that’s a typically meandering essay of my musical adventures of 2008. I hope 2009 will provide even more fresh discoveries.