This is a great local hard-rock album, despite its strange title. Reminds me a lot of Helmet and The Mark of Cain. Saw them play at the opening of The Alley, but the sound was terrible.
The debut record of local hard rock outfit The Mercy Beat does not seem to contain explicit instructions on how to clean Himalayan bovine. Instead, the Brisbane quartet offer a journey into a realm where guitar riffs are hard currency. Landing somewhere between Kyuss and Helmet, The Mercy Beat valiantly attempt to recreate the electric atmosphere for which their live shows are renowned. For the most part this strategy succeeds, as demonstrated on tracks such as Arouzin Yispouse and I Was Born Yesterday, where the band opts to jump out of the gates guitars blazing. 2 Nein No, perhaps the record’s most interesting track, deftly uses dissonant lead riffs and punk-inspired rhythms to describe the perils of Devo-inspired dance floor chaos. While it can occasionally feel that a few of the slower numbers want for an injection of tempo, The Mercy Beat’s debut record is ultimately a satisfying experience.
Originally in Rave Magazine.
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